Dreamworks at 14mm

After a decade-long international career at DreamWorks Animation and Weta, I returned to Montreal to contribute to major projects such as Blade Runner 2049 at Framestore and Dune at DNEG, where I led the FX teams on both films.

In the last three years, I contributed to seven projects as a CG Supervisor at DNEG, including Spy Kids: Armageddon, 1899 and Peter Pan and Wendy. I also served as an Associate VFX Supervisor, known as DFX Supervisor at DNEG, on the films The Gorge (Apple TV+) in 2023-2024 and Moonshot (HBO Max) in 2021.

On The Gorge, I supervised a complex 250-shot featuring large environments, CG vehicles and extensive FX work. I oversaw asset creation, CG shots, and final compositing, as well as coordinating teams based in Vancouver, Montreal, and India. Although the project is complete, it has not yet been publicly released.

For Moonshot, I actively supervised VFX in the absence of the assigned supervisor, working part-time with our team and the client. Although credited as a CG Supervisor, my role extended to the responsibilities of an Associate VFX Supervisor. I collaborated closely with the client and the internal VFX and production teams, focusing on the artistic aspects of CG, compositing, and technical checks.

Throughout my career, I have developed a strong ability to interpret clients’ visions and provide creative solutions to enhance their projects. My background in photography has given me a deeper understanding of composition and lighting, which has proven to be an asset in my work on visual effects.

In addition, I have on-set supervision experience in both film and advertising in Barcelona.

Quadra portrait

I’m an autodidact FX artist. I was born in France. My work gave me the opportunity to discover different places and cultures: Barcelona (Spain), Montreal (Québec), and now Los Angeles where I live and work in the movies industry.

I have also learned by myself the art of photography. I’m instinctive. I have a sense of feeling the Magic coming from the light at a right moment. Being compulsive, I have to capture the moment, that gift of Mother Nature, before it disappears forever or just transforms itself into another mystery.

However Light can also become a trap, an easy fancy way… an addiction. My quest is to learn how to capture the essence of the moment without falling into the light’s trap. This is a fascinating journey full of questions and difficulties, it is also extremely rewarding.

I screen everything that surrounds me, a forest fire, the rain in the a desert, a foggy atmosphere, the Joy of a kid, the pride of an homeless or even my own physical wounds. Never miss an opportunity had become my Mantra.